Hello, everyone! A few days ago I watched The Dressmaker, which is a perfect example of a movie ruined by a single scene. Apart from that single scene, the movie is eccentric and unwieldy, but still a jaunty story to follow. A story of fashion and fiery revenge, Jocelyn Moorhouse’s film is beautiful, but marred by mistakes.
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Hello, everyone! For my 100th blog post, I’m reviewing Revolutionary Road, a phenomenal book and a keystone in the suburban disillusionment genre, which includes icons like American Beauty and Mad Men. Chances are, if you’ve viewed either of these works, the fundamental themes and character beats in Richard Yate’s Revolutionary Road won’t be, well, revolutionary, but their timeliness and sincerity is what makes the novel a must-read. Looking back on the Fifties from our lofty pedestals, it’s clear to see the stifling role that traditional society played in the lives of young Americans, but writing this novel in the wave of traditionalism, Yates’ novel was an urgent voice against the dangers of complacency.
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