Hello, everyone! In light of the mockery resulting from the leaked Joss Whedon Wonder Woman script, I thought I would focus on the reasons why Patty Jenkins’ Wonder Woman works as a showcase of empowered female independence, instead of all the reasons that Whedon’s does not. Let me preface this post by saying that I’ve seen Wonder Woman twice, once to watch it without criticism, and the second time to watch it objectively. And while I agree that the film has a few flaws, I’m hard pressed to call it anything less than a fantastic movie. It’s beautifully, energetically shot, the characterization is compelling, the relationships are realistic and engaging, and the aesthetic details from the set design to the costumes to the hairstyling are a feast for the eyes. These elements, however, are only part of what makes Wonder Woman worth the watch. What separates this film from the rest of the billion dollar superhero movies is that, for perhaps the first time, Wonder Woman portrays a woman as she might see herself. That’s a perspective that’s not only rare to see in superhero movies, but in any Hollywood film.
Continue reading Wonder Woman Is The Hero We Need And The One We Deserve
Hello, everyone! My first year of college is over. I’m so excited to be back in my house where no one can bother me. But enough about my antisocial tendencies. If you’ve been on Youtube lately, you might have noticed that Miley Cyrus’ newest song “Malibu” is among one of the most trending videos. The music video showcases an entirely “new” side to Miley, one that embraces the softness, delicate femininity, and pure wholesomeness that Cyrus, and all women, have been supposedly hiding beneath their overly-sexualized exteriors.
To get a taste of the average person’s opinion of the new Miley, just read the comments on her “Malibu” video or even on older videos like “We Can’t Stop” and “Wrecking Ball,” which once incited a firestorm of media ire for being too provocative, too sexed-up, too unlike the Miley Cyrus the world had grown accustomed to through Hannah Montana. One commenter writes that “it looks like Miley has finally found herself” and another who says that she’s “the old Miley again.” Another common comment refers to an alleged personality switch between Miley and Katy Perry, whose new song “Bon Appetit” has gained notice for its controversial, overtly sexual video. These comments beg the question: since when has a pop star only been allowed one “acceptable” public image, and why, WHY does it have to be a pure one?
Continue reading We Can’t Stop Limiting Female Pop Stars