Hello, everyone! A few days ago I watched The Dressmaker, which is a perfect example of a movie ruined by a single scene. Apart from that single scene, the movie is eccentric and unwieldy, but still a jaunty story to follow. A story of fashion and fiery revenge, Jocelyn Moorhouse’s film is beautiful, but marred by mistakes.
Continue reading The Dressmaker Is Haute, But Messy
Hello, everyone! Today the somber task falls upon me to write a review about a movie that I wanted to love, but couldn’t. That movie is La La Land, a musical drama that is neither wholly musical nor wholly drama. Damien Chazelle’s sophomore feature is not a bad movie in any way, but it doesn’t have the passion or originality of its predecessor Whiplash. Its homages to iconic musicals like Singin’ in the Rain and The Umbrellas of Cherbourg show the film’s adoration for the magic of Old Hollywood, but they also prove that loving references can show how a movie like La La Land pales in comparison to the fantastic originals. The film is beautiful, fun, and witty, with powerful performances from both leads, but unlike other musical classics, it doesn’t transcend.
Continue reading La La Land Brings The Music, But No Musical
Hello all! This post brought to you by Kevin Bacon. Remember folks, it ain’t a Boston movie without Bacon. Yesterday I watched Black Mass, the movie that will reinvent Johnny Depp’s career. But actually, if you skip over all of the stupid projects that I assume Depp did for the money, you’re left with Edward Scissorhands and What’s Eating Gilbert Grape and Sweeney Todd and Chocolat and various other Tim Burton weirdlands, so it’s actually quite an impressive resume. If you pretend Mortdechai never happened, I will too. Continue reading Black Mass Review: Gangstas Be Trippin’