Hello, everyone! My first year of college is over. I’m so excited to be back in my house where no one can bother me. But enough about my antisocial tendencies. If you’ve been on Youtube lately, you might have noticed that Miley Cyrus’ newest song “Malibu” is among one of the most trending videos. The music video showcases an entirely “new” side to Miley, one that embraces the softness, delicate femininity, and pure wholesomeness that Cyrus, and all women, have been supposedly hiding beneath their overly-sexualized exteriors.
To get a taste of the average person’s opinion of the new Miley, just read the comments on her “Malibu” video or even on older videos like “We Can’t Stop” and “Wrecking Ball,” which once incited a firestorm of media ire for being too provocative, too sexed-up, too unlike the Miley Cyrus the world had grown accustomed to through Hannah Montana. One commenter writes that “it looks like Miley has finally found herself” and another who says that she’s “the old Miley again.” Another common comment refers to an alleged personality switch between Miley and Katy Perry, whose new song “Bon Appetit” has gained notice for its controversial, overtly sexual video. These comments beg the question: since when has a pop star only been allowed one “acceptable” public image, and why, WHY does it have to be a pure one?