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The Beguiled Values Style Over Substance

Hello, everyone! Having just seen The Beguiled, Sofia Coppola’s latest film for which she won Best Director at Cannes, I’m left feeling confused. To say the film is good or bad oversimplifies the matter; it simply feels half baked. Coppola’s take on author Thomas Cullinan’s novel is lush, beautiful to behold, and potent with tension, but it’s held back by flawed pacing. Coppola is skilled at crafting slow, atmospheric movies like Lost in Translation, but while that film’s anti-climactic ending was a perfect period to its meandering plot, The Beguiled has an explosion of climax with too much rising action and almost no resolution balance to it out. Whether the fault in pacing is due to the source material (I’ve never read the book so I can’t comment) or due to Coppola’s own directorial choices remains to be seen, but the result is a film that feels as incomplete as General McBurney’s amputated leg.

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