Colossal Is Weird, But Worth The Watch

Hello, everyone! Sorry for the extra long gap between posts. I hate to leave you hanging with a strange ode/critique to Taylor Swift. After writing that article I listened to Swift’s entire discography. Whether you find that to be sweet or alarming is really up to your opinion on the singer, but I gotta say, she  makes sad bus rides go a lot faster.  On a completely unrelated topic, tonight I watched Colossal for the last screening of my film analysis class. It’s such a bizarre, unique film that I’m not sure whether it deserves praise or ridicule. Perhaps that’s why it succeeds. It doesn’t play it safe or even try to be normal. Colossal wears its heart on its sleeve, with endearing and annoying results. In a marketplace filled with lukewarm comedies and robotic  blockbusters, Colossal is more than sincere enough to make up for its flaws.

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Who The Hell Is Taylor Swift?

Hello, everyone! Today’s post is a concept I’ve been pondering for quite some time now, namely, who the fuck is Taylor Swift? She’s an artist whose songs I find so melodically satisfying that I listen to them on repeat, yet whose lyrics I find obnoxiously melodramatic. She’s a public figure who I both admire for her success and detest for its excess. Most importantly, she’s the quintessential American pop star, pure, sweet, and innocent like apple pie, yet also catty, vicious, and vengeful as an evil queen. There are many masks Swift wears as an artist and as a celebrity; I’d like to examine them through the lens of her lyrics, which like her, are a mixture of sincerity and artifice.

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Rings Is A Movie Without An Identity

Hello, everyone! Sorry for the month long delay between posts. If you couldn’t guess, it’s because my spring semester has been as chaotic as Donald Trump’s presidency and I’ve only just found my footing. Last Friday I saw Rings, the third installment in the American adaptation of the Japanese Ringu. A completely mediocre movie through and through, Rings adds nothing to the franchise but derivative storytelling, lousy acting, and a serving of warmed-over creepiness. By updating the premise for the digital age, the film draws attention to its own fading relevance.

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Screw the Critics #3: Passengers

A continuing segment in which Lily, intrepid blogger, goes head to head with the most dastardly of foes: Rotten Tomatoes. Group-think be damned! In this segment, we look at the panned Morten Tyldum movie Passengers starring Jennifer Lawrence and Chris Pratt.  Who will win? Hint: it’s Lily. 

Rotten Tomatoes Consensus: Passengers proves Chris Pratt and Jennifer Lawrence work well together — and that even their chemistry isn’t enough to overcome a fatally flawed story.

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The Dressmaker Is Haute, But Messy

Hello, everyone! A few days ago I watched The Dressmaker, which is a perfect example of a movie ruined by a single scene. Apart from that single scene, the movie is eccentric and unwieldy, but still a jaunty story to follow. A story of fashion and fiery revenge, Jocelyn Moorhouse’s film is beautiful, but marred by mistakes.

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La La Land Brings The Music, But No Musical

Hello, everyone! Today the somber task falls upon me to write a review about a movie that I wanted to love, but couldn’t. That movie is La La Land, a musical drama that is neither wholly musical nor wholly drama. Damien Chazelle’s sophomore feature is not a bad movie in any way, but it doesn’t have the passion or originality of its predecessor Whiplash. Its homages to iconic musicals like Singin’ in the Rain and The Umbrellas of Cherbourg show the film’s adoration for the magic of Old Hollywood, but they also prove that loving references can show how a movie like La La Land pales in comparison to the fantastic originals. The film is beautiful, fun, and witty, with powerful performances from both leads, but unlike other musical classics, it doesn’t transcend.

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Don’t Breathe Is Blind To Its Faults

Hello, everyone! Let me start this post by saying I have a bone to pick with critics. Why can’t everyone like what I like? But seriously, sometimes I watch a movie, mostly in the horror genre, and I’m bewildered by the critical reviews. They watch It Follows and say it’s one of the best horror movies of the decade, I say it’s a pretty yawnfest. They watch The Visit and praise the film for its “satisfying blend of thrills and laughs” (Rotten Tomatoes) and I collapse to the ground, decrying a world that deems a lukewarm found footage movie with a stupid twist to be acceptable, or even worse, scary. What confuses me the most, however, is the reaction from critics to a movie like Don’t BreatheHow can a group who can find the sudden appearance of a tall man terrifying somehow stomach a movie as disturbing and morally ambiguous as this one? Spoilers Ahead (you’ve been warned!)

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Revolutionary Road Review

 

Hello, everyone! For my 100th blog post, I’m reviewing Revolutionary Road, a phenomenal book and a keystone in the suburban disillusionment genre, which includes icons like American Beauty and Mad Men. Chances are, if you’ve viewed either of these works, the fundamental themes and character beats in Richard Yate’s Revolutionary Road won’t be, well, revolutionary, but their timeliness and sincerity is what makes the novel a must-read. Looking back on the Fifties from our lofty pedestals, it’s clear to see the stifling role that traditional society played in the lives of young Americans, but writing this novel in the wave of traditionalism, Yates’ novel was an urgent voice against the dangers of complacency.

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The Trespasser Book Review

Hello, everyone! I want to start by apologizing for the massive screw up with gifs on my blog over the past 2 weeks. I didn’t realize that if I deleted gifs from my media library, they would also be deleted from the posts. That seems like something that shouldn’t need to happen, but anyway, PSA: do not delete images from your media library! Don’t do it! It took me five hours to fix everything. Again, I repeat, don’t do it! This has been a PSA.

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